Writer-director Ari Aster’s twisted family portrait offers up creeping dread that will sends beads of sweat trickling down your spine by peeling away the layers of darkness and deceit that condemn one grief-stricken family to a grim fate.
Documentary stitches together the life of Alexander McQueen, tortured genius of working class origins, openly gay trailblazer, who challenged the fashion establishment, from his awkward teenage years to global catwalk stardom.
French enfant terrible Francois Ozon returns to the sexually charged delights of his earlier films for this heated psychological thriller of a disillusioned young woman and relationship with her therapist and his twin.
For all its visual flair and dazzling set-pieces, Collin Trevorrow’s fourth segment of the Jurassic Park franchise, Jurassic World (2015) failed to match the nerve-shredding tension of Steven Spielberg’s seminal first instalment.
Splicing the creative DNA of Steven Spielberg’s Lost World sequel with the rumbustious 2015 reboot Jurassic World, should roar and rampage but despite some great set-pieces this muscular fifth instalment is too tame to really thrill.
Ross Lynch delivers a chilling performance as the teenage Jeffrey Dahmer in this biographical drama written and directed by Marc Meyers, adapted from a graphic novel by John Backderf about the formative years of the serial killer.
Straight from the James-Bond-spoofing credits - complete with an emotive soundtrack, tongue in cheek credits and Deadpool himself being showered in gold paint, you know that this sequel isn’t taking itself too seriously.
Writer-director Bill Holderman’s frothy romantic comedy stars Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen as life-long friends, who have forgotten what it means to grow old disgracefully.
With Ron Howard stepping forward to replace departing directors Phil Lord and Chris Miller and reports of substantial reshoots among its production difficulties, it would be fair to say that the expectation for the latest Star Wars spin-off was less than ecstatic.
The Last Jedi propelled George Lucas’s saga into a galaxy far, far away from the old-fashioned charm of the original trilogy, but this Han Solo origins story directed Ron Howard slingshots at lightspeed in the opposite direction.
With its self-aware humour and ultra-violent fight sequences, Deadpool was one of the biggest hits of 2016, grossing $783,112,979 worldwide and becoming the highest grossing R-rated comedy in box office history.
Ian McEwan’s Booker Prize-nominated novella, a moving portrait of doomed love, set against the ravishing backdrop of the titular stretch of shingle in Dorset, comes to the big screen, starring three-time Oscar nominee Saoirse Ronan.
The hijacking of an Air France flight in June 1976 by members of the Popular Front for the Liberation of Palestine, and a subsequent rescue mission led by Israeli forces are terrific raw ingredients for an edge-of-seat geo-political thriller.
It’s the beginning of the end for the series that began a decade ago with a next-to-last film that has all the CGI action sequences you’d expect but struggles to fit in all the characters from the sprawling Marvel franchises.
Jessie Buckley delivers a searing lead performance as a guilt-riddled twenty-something who becomes embroiled in the hunt for a serial killer in debut writer-director Michael Pearce’s deliciously creepy psychological thriller.
From Damien Chazelle’s drama Whiplash (2014) to Joel Edgerton’s dark revenge thriller The Gift (2015) and Jordan Peele’s chilling social thriller Get Out (2017), Blumhouse Productions has produced some of the best films of the last four years.